Ron Lenhan: A passion for Presley
Whether or not Elvis lives, of course, is a major subject of debate. But the spirit of Elvis, as embodied by one Ron Lenhan (pronounced Lennon, like another musical great of the period), is alive and well and residing -- by day, at least -- on the second floor of the James Ferrier Building where Lenhan works in the sheet metal shop.
It's hard to miss him over by the metal-working machines. His full head of gray hair -- the result of "not wearing a hat," says the 56-year-old Lenhan, whose father went bald -- sculpted into the early Elvis's trademark roll at the front, "duck-ass" at the back and held in place by a combination of hairspray and water is a dead give-away. Not to mention the gold locket of Elvis sitting on the collar of his trademark, back-to-front black t-shirt.
Even with his car, Lenhan's affiliation with the King is announced on the front plate (ELVIS), and the 30 tapes he carries inside are either by Presley or of the same period.
Why the identification with Elvis? "Because he changed people's lives. We were all looking for something different and he changed the style," recalls Lenhan, who grew up one of three children of a steel company worker and a stay-at-home mother in Pointe St-Charles.
The charismatic, hip-swaying, sneering Elvis was a radical figure back when he began his career, firmly entrenching rock and roll as a musical form for the ages. He created a template for smouldering rebellion that has served as a model for scores of musicians and actors ever since.
How about the tubby, Las Vegas-era Elvis? Lenhan just shakes his head, lamenting how his idol lost his way.
Elvis's was a style that Lenhan adopted at age 14 and has maintained ever since. Even when the King wore a crew cut for his military service from 1958 to 1960, Lenhan followed suit.
"Here's a photograph of me with my hair growing out," says Lenhan, standing in the basement playroom of his Ville LaSalle duplex which houses an impressive collection of Elvis memorabilia. "I've been told I look like Sean Penn in that photo." Sure enough, there is a resemblance in the lean face and the intense blue eyes.
In his own way, Lenhan too has changed people's lives. At the sheet metal shop, for instance, his wit and knowledge of the music of the '50s and '60s is well appreciated, says Jean Perrault, supervisor of the sheet metal and plumbing departments. "Just yesterday, Ron had his guitar in the shop with a bunch of fellows and they were singing along.
"He's a comedian and he makes us laugh with what he says."
Perrault, who has known Lenhan for all the 13 years he has worked at McGill, calls him an "excellent worker who never stops."
Lenhan certainly appreciates his job at McGill, which involves anything to do with metal in any of the downtown campus's 153 buildings, including the Royal Victoria Hospital.
On this particular week, for instance, among the pile of jobs to do, Lenhan will be fixing the dampers and coils in the heating system in the pathology department of the hospital and repairing a desk in the Macdonald Engineering building.
"Winter," says Lenhan, who always carries a pager, "is the busiest time of the year because of the heating systems."
At age 43, Lenhan was a relative latecomer to McGill, having been laid off by Northern Telecom in 1985, and he's very grateful to have been offered the work. "What I like about this job is that you never know what you're going to do next."
Lenhan never got to see the King in action. In the late '50s, when the rock phenomenon was destined to play Montreal, Cardinal Leger "said 'not in Quebec' and Elvis performed instead in Ottawa," recalls Lenhan. Young Ron's parents refused to allow their eldest to head off to Ottawa all by himself for the show.
Lenhan has, however, been to Graceland where he was especially impressed by the "jungle room" where Elvis would sit with Lisa-Marie (his daughter) to tell her stories.
Sure, Elvis's grave is also there and the bathroom where his drug-bloated body was found on August 16, 1977.
But in Lenhan's shrine to Elvis, there are few images of the bad and sad years. Judging from the preponderance of photos from the glory days of "Jail House Rock," "It's Alright Momma" and the "comeback concert" of 1968 (after another army stint), it's the good times he honours.
Bronwyn Chester
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