Julie Ann Nesrallah: The mouth that soared
Julie Ann Nesrallah claims her mind was made up at the age of four. No musings about growing up to be an astronaut or a nurse Nesrallah wanted to be a performer.
Voice lessons began when she was 12 and, except for a two-year break, they've gone on ever since. Ballet classes were scheduled around homework. As she got older and took up waitressing to support herself, piano lessons became a lunch-time staple. Nesrallah's dancing skills won't carry her to fame, but her singing ability probably will.
Speaking in a delightfully earthy if somewhat sleepy voice from her hotel room in Victoria, Nesrallah knows she's well on her way to achieving her childhood ambitions. It's the morning after the night before. Nesrallah had starred as Isabella in a Pacific Opera production of Rossini's Italiana in Algieri. It was opening night and the singer is still on a high from a performance that charmed the audience.
She has to do well in the role if she wants to graduate from McGill's Faculty of Music it counts as the final recital for her artist diploma.
Professor William Neill, the chair of the Department of Performance's Voice Area, predicts big things for the dark-eyed star in the making.
He lists among her strengths "a fabulous voice, tremendous stage presence, a phenomenal depth of musical sensitivity, an outstanding personality, and great intelligence." Nesrallah is also blessed with what Neill calls "the strongest work ethic that I have encountered in my experience as a teacher."
For her part, Nesrallah says her two years at McGill have been invaluable.
"I have a better sense of what the professional world is like a better sense of responsibility and etiquette. Singing is the easy part. In this line of work, you have to learn how to deal with your conductors, stage directors, other cast members, musicians. There are all these dynamics to be negotiated. And McGill's teachers do a fine job of preparing you for all of that.
"I don't sound anything like I did two years ago," Nesrallah adds, saying that her voice is more polished. She gives much of the credit to the faculty's husband-and-wife teaching team of William and Dixie Neill.
Gazette music critic Richard Turp once singled Nesrallah out for the "homogeneity and lustrous quality of [her] voice." The Ottawa Citizen was similarly struck by her "warm, agile, lyric-mezzo voice." Asked to appraise her own abilities, Nesrallah points first to her skill at reaching out to her audience.
"I have a strong stage presence. I genuinely like people and I think audiences pick up on that. I have an easy rapport with an audience. I'm an extroverted extrovert if that's possible."
After the Pacific Opera gig wraps up, the Ottawa-born mezzo-soprano is off to New York to play Mozart in a production of The Music Box. Her waitressing days are behind her, declares Nesrallah firmly. Whether she hits the big time or barely squeaks by, music is where she'll focus all her energies from now on.
"I'm not in it for the big bucks. I'm in it because I have no choice this is what I was meant to do."
Daniel McCabe
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